Liturgy in Palestrina’s Time: A Delicate Balance Between Tradition and Reform
By Gabriel Diaz-Patri Giovanni Palestrina’s sacred works comprise 105 Masses in various styles, 68 offertories (where he abandoned the traditional cantus firmus technique – using an existing melody as the basis for a polyphonic composition -- in favour of free composition), 250 motets, and 35 magnificats and 45 hymns written for the Divine Office. Understanding this [...]